Mixture of musical SOUND "Electronic Music Theater" brings ... - Rhein Main Presse

From 23.06.2009 �
MAINZ (ok). The 68ers failed with their visions of a better, fairer world, but instead ultimately dominated the system of violence against their actions. The "Electronic Music Theater" brought this development in a mixture of musical theater, installation, theory and text in the R� � umen the "Volcano: Cultural Society" (Leibnizstraße 44) in his "Studies 1.0 Scum" on the B� � hne. They shot at Andy Warhol, and she wrote 1967 "manifesto for the destruction of the M� � men": Valerie Solana was not necessarily a � sselfigur temples of its time, but she likes a symbol r for the "tipping over into violence" excuse "for the 68ers with their visions, "Verr� � t musician and composer Marcel Daemgen. The trio staged this escalation before about 20 spectators, and that it serves Solanas' Scum Manifesto '. There are sound collages presented in text passages in ecstatic language quoted, and there are songs from the year 1968 fate played. One after another time Erta � nt about the John Lennon classic "Imagine" as an expression of utopia and is torpedoed by the sound � � bersteuerter guitar amps and hard percussion beats. As a metaphor from a disjointed vision of the emerging U.S. national anthem in the grip of distorted guitars make their way from the speakers and acts as battered as the Titanic just before sinking. Daemgen of a golden Lamettaper� � cke on the head tra � gt, produced continuously Soundversatzst� � cke on Effektger� � ten or play the songs of the'68 with his laptop. His protagonist, Oliver Augst and Sylvi Kretzschmar, usually sit behind a white and a black drum and steer hurricane times and times like pulsating syncopated rhythms ßige � irregularities in the texts or Verton Solanas. Also on the soundtrack by Ennio Morricone for the film "The Great Silence" grab it back.
























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